Hildegard von Bingen. Ein Leben im Licht: Biographie (German Edition)

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O meine Seele, geh aus, Gott ein!

Sinke mein ganzes Etwas, in Gottes Nichts, tauche ein in die grundlose Flut! Denn Gott ist Mensch geworden in einer Jungfrau, einzig geliebt und [gesegnet. Caritas abundat in omnia de imis excellentissima super sidera, atque amantissima in omnia, quia summo Regi osculum pacis dedit.

e-book Hildegard von Bingen. Ein Leben im Licht: Biographie (German Edition)

O virtus Sapientiae quae circuiens circuisti comprehendo omnia in una via, quae habet vitam. Laus tibi sit, sicut te decet, O Sapientia. O felix anima, cuius corpus de terra ortum est, quod tu cum peregrinatione huius mundi conculcasti:] Unde de divina rationalitate, quae te speculum suum fecit, coronata es. Spiritus sanctus etiam te ut habitaculum suum intuebatur. In summary, the movie is a good introduction to a remarkable and fascinating being but leaves one wanting much more.

Review by Ghoshen , Osho News. Relief: St. Details of the film on IMBd. A beautiful book in German about the saint, unfortunately not translated in English: Hildegard von Bingen.

It is the earliest morality play by more than a century, and the only Medieval musical drama to survive with an attribution for both the text and the music. Next Post Wherever I is there is a barrier January 28, Rocketman September 19, Do you have more compassion toward others? Are you giving Jesus to people you never would have met if you had led a blameless life?

Hildegard of Bingen - Wikipedia

Then, ask Jesus to apply his redemptive love to the situations that were affected by your sins. And finally, count your blessings — the signs that indicate our Redeemer is turning your regrets into goodness. Slow down and spend some time praising God for these awesome victories. Reflection 7 — St. Abbess, artist, author, composer, mystic, pharmacist, poet, preacher, theologian—where to begin describing this remarkable woman? Born into a noble family, she was instructed for ten years by the holy woman Blessed Jutta. When Hildegard was 18, she became a Benedictine nun at the Monastery of St.

Pope Eugene III read it and in encouraged her to continue writing. She wrote over letters to people who sought her advice; she also composed short works on medicine and physiology, and sought advice from contemporaries such as St. Bernard of Clairvaux. Virtuous living reduces the estrangement from God and others that sin causes.

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This unity was not apparent to many of her contemporaries. Hildegard was no stranger to controversy. The monks near her original foundation protested vigorously when she moved her monastery to Bingen, overlooking the Rhine River. She confronted Emperor Frederick Barbarossa for supporting at least three antipopes. Between and , Hildegard often preached in the Rhineland. Her monastery was placed under interdict because she had permitted the burial of a young man who had been excommunicated.

She insisted that he had been reconciled with the Church and had received its sacraments before dying. Hildegard protested bitterly when the local bishop forbade the celebration of or reception of the Eucharist at the Bingen monastery, a sanction that was lifted only a few months before her death.

Barbara Stühlmeyer

Pope Benedict spoke about Hildegard of Bingen during two of his general audiences in September Hildegard of Bingen, who, developing the gifts they have received from God, make their own special and valuable contribution to the spiritual development of our communities and of the Church in our time. Like a flame that is hot without burning, it kindled all my heart and all my breast, just as the sun warms anything on which its rays fall.

And suddenly I could understand what such books as the Psalter, the Gospels and the other Catholic volumes both of the Old and New Testament actually set forth. God calls each one of us to be a saint. Although the history of her formal consideration is complicated, she has been recognized as a saint by branches of the Roman Catholic Church for centuries. In any case, Hildegard and Jutta were enclosed together at the Disibodenberg, and formed the core of a growing community of women attached to the male monastery. Jutta was also a visionary and thus attracted many followers who came to visit her at the cloister.

Hildegard tells us that Jutta taught her to read and write, but that she was unlearned and therefore incapable of teaching Hildegard sound biblical interpretation. Volmar , a frequent visitor, may have taught Hildegard simple psalm notation.

Vision – From the Life of Hildegard von Bingen

The time she studied music could have been the beginning of the compositions she would later create. Refine results. Filter your search Filter by categories.

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Showing 1 to 30 of 45 results. Add to basket. Scivias Saint Hildegard.

Hildegard von Bingen (Biografie) – Überblick über Leben und Werk 1/2

Selected Writings Saint Hildegard. Hildegard's Healing Plants Saint Hildegard. Creation and Christ Saint Hildegard. Secrets Of God Saint Hildegard. The Book of Divine Works St. Symphonia Saint Hildegard. Anthology Saint Hildegard. Wisse die Wege Hildegard von Bingen. One of her better-known works, Ordo Virtutum Play of the Virtues , is a morality play. It is uncertain when some of Hildegard's compositions were composed, though the Ordo Virtutum is thought to have been composed as early as The most significant part of this entire composition is, however, that the Ordo virtutum is the earliest known surviving musical drama that is not attached to a liturgy.

This entertainment was both performed and bemused by a select community of noblewomen and nuns. Even more fascinating about this piece, the devil has no music whatsoever in the plot of the play, he instead shouts and bellows all his lines. All other characters sing in monophonic plainchant. The Ordo virtutum was probably performed as a manifestation of the theology Hildegard delineated in the Scivias.

The play serves as a group enchantment of the Christian story of sin, confession, repentance, and forgiveness. Notably, it is the female Virtues who restore the fallen to the community of the faithful, not the male Patriarchs or Prophets. This would have been a significant message to the nuns in Hildegard's convent.

Hildegard of Bingen

Scholars assert that the role of the Devil would have been played by Volmar, while Hildegard's nuns would have played the parts of Anima the human souls and the Virtues. In addition to the Ordo Virtutum , Hildegard composed many liturgical songs that were collected into a cycle called the Symphonia armoniae celestium revelationum. The songs from the Symphonia are set to Hildegard's own text and range from antiphons, hymns, and sequences, to responsories. Though Hildegard's music is often thought to stand outside the normal practices of monophonic monastic chant, [51] current researchers are also exploring ways in which it may be viewed in comparison with her contemporaries, such as Hermannus Contractus.

Scholars such as Margot Fassler , Marianne Richert Pfau, and Beverly Lomer also note the intimate relationship between music and text in Hildegard's compositions, whose rhetorical features are often more distinct than is common in twelfth-century chant. The definition of viriditas or "greenness" is an earthly expression of the heavenly in an integrity that overcomes dualisms. This greenness or power of life appears frequently in Hildegard's works. Despite Hildegard's self-professed view that her compositions have as their object the praise of God, one scholar has asserted that Hildegard made a close association between music and the female body in her musical compositions.